what is wrong whith indian films 10th class english full story in english

what is wrong whith indian films 10th class english full story in english

 Here is the Class 10 English – “What Is Wrong with Indian Films?” full story in simple English, as asked (useful for Bihar Board / Panorama Part-2 students):

What Is Wrong with Indian Films?

(Full Story / Summary in English)

The essay “What Is Wrong with Indian Films?” is written by Satyajit Ray, a famous Indian filmmaker. In this essay, the writer explains the major problems of Indian cinema and suggests how films can be improved to become meaningful and realistic.

Satyajit Ray begins by saying that Indian films are very popular, but most of them do not reflect real life. According to him, the main aim of cinema should be to show truth, reality, and human emotions. Unfortunately, many Indian films focus only on entertainment, money, and glamour instead of social responsibility.

One major problem of Indian films is unrealistic stories. The heroes perform impossible actions, such as fighting many people alone or surviving serious injuries without any medical help. These scenes are far from real life and mislead the audience, especially young people.

Another issue is excessive use of songs and dances. Songs are often forced into the story even when they are not needed. This breaks the natural flow of the film and makes it artificial. According to the writer, songs should be meaningful and used only when they help the story.

Satyajit Ray also criticizes poor scripts and weak characters. Many films are made without proper planning. The characters lack depth and behave unrealistically. Villains are shown as completely evil, while heroes are shown as perfect, which is not true in real life.

The essay also talks about the commercial mindset of filmmakers. Most producers make films only to earn money, not to improve society. Because of this, they repeat the same formula—romance, violence, comedy, and melodrama—again and again.

Ray compares Indian cinema with foreign films, especially European cinema, which focuses on realism, strong storytelling, and artistic value. He believes Indian filmmakers should learn from them but still keep Indian culture and values alive.

In the end, Satyajit Ray suggests that Indian films can improve if filmmakers focus on real-life problems, good scripts, natural acting, and meaningful direction. Films should educate, inspire, and entertain at the same time.

Conclusion

The essay clearly explains that Indian films suffer from unrealistic stories, unnecessary songs, weak scripts, and commercial pressure. Satyajit Ray believes that cinema is a powerful medium and should be used to show reality and improve society.

Below are Class 10 English – “What Is Wrong with Indian Films?”

Summary + Short Answer + Long Answer Questions

(Exam-oriented | Simple English | Bihar Board / Panorama Part-2)

Summary

The essay “What Is Wrong with Indian Films?” is written by Satyajit Ray, a famous Indian filmmaker. In this essay, the author points out the weaknesses of Indian cinema. He says that most Indian films are unrealistic and do not represent real life. Heroes perform impossible actions, and stories lack truth and depth.

Another major problem is the unnecessary use of songs and dances, which often disturb the flow of the story. The writer also criticizes poor scripts, weak characters, and exaggerated emotions. Most filmmakers focus only on money and popularity instead of quality and social responsibility.

Satyajit Ray compares Indian films with foreign films and says that foreign cinema gives importance to realism, good storytelling, and artistic value. He believes that Indian films can improve if they focus on real-life issues, strong scripts, natural acting, and meaningful direction.

Short Answer Questions (2–3 marks)

Q1. Who is the writer of “What Is Wrong with Indian Films?”

Ans: The writer of the essay is Satyajit Ray.

Q2. What is the main aim of cinema according to the writer?

Ans: According to the writer, cinema should show reality, truth, and human emotions and help improve society.

Q3. Why does the writer criticize Indian films?

Ans: He criticizes Indian films because they are unrealistic, exaggerated, and made mainly for money.

Q4. What is wrong with the use of songs in Indian films?

Ans: Songs are often unnecessary and forced, which breaks the natural flow of the story.

Q5. What kind of characters are usually shown in Indian films?

Ans: Heroes are shown as perfect, and villains are shown as completely evil, which is unrealistic.

Q6. What comparison does Satyajit Ray make?

Ans: He compares Indian films with foreign films that focus on realism and strong storytelling.

Long Answer Questions (5–6 marks)

Q1. What are the main defects of Indian films according to Satyajit Ray?

Ans:

Satyajit Ray points out several defects in Indian films. Most films are unrealistic and full of exaggerated actions. Heroes perform impossible tasks, which are far from real life. The excessive use of songs and dances spoils the story. Scripts are weak, characters lack depth, and emotions are over-dramatic. Filmmakers are more interested in money than quality. Due to these reasons, Indian films fail to reflect reality and social issues.

Q2. How does Satyajit Ray suggest Indian films can be improved?

Ans:

Satyajit Ray suggests that Indian films should focus on real-life situations and social problems. Filmmakers should give importance to good scripts, natural acting, and meaningful direction. Songs should be used only when necessary. He believes that cinema should educate, inspire, and entertain people. By learning from good foreign films while keeping Indian culture alive, Indian cinema can improve.

Q3. Do you agree with the views of Satyajit Ray? Give reasons.

Ans:

Yes, I agree with the views of Satyajit Ray. Many Indian films show unrealistic stories and exaggerated scenes that do not connect with real life. Excessive songs and poor scripts reduce the quality of films. Cinema is a powerful medium and should be used responsibly. Films based on reality and social issues can educate and inspire society.

Below is Class 10 English – “What Is Wrong with Indian Films?”

MCQs + One-Word / Definition Questions + Question-Answer

(Simple English | Exam-oriented | Bihar Board / Panorama Part-2)

MCQs (Multiple Choice Questions)

1. Who wrote “What Is Wrong with Indian Films?”

A. R.K. Narayan

B. Satyajit Ray

C. Mulk Raj Anand

D. Premchand

✅ Answer: B. Satyajit Ray

2. What is the main fault of Indian films according to the writer?

A. Lack of actors

B. Unrealistic stories

C. Short duration

D. Foreign influence

✅ Answer: B. Unrealistic stories

3. What breaks the natural flow of Indian films?

A. Dialogues

B. Camera work

C. Unnecessary songs

D. Costumes

✅ Answer: C. Unnecessary songs

4. How are heroes generally shown in Indian films?

A. Weak

B. Ordinary

C. Perfect

D. Funny

✅ Answer: C. Perfect

5. What do most film producers aim at?

A. Social service

B. Education

C. Artistic value

D. Money and profit

✅ Answer: D. Money and profit

6. Which films does the writer admire for realism?

A. Indian films

B. Mythological films

C. Foreign films

D. Silent films

✅ Answer: C. Foreign films

7. What should be the real purpose of cinema?

A. Only entertainment

B. Showing luxury

C. Making money

D. Showing reality and truth

✅ Answer: D. Showing reality and truth

One-Word / Definition Questions

1. Who is Satyajit Ray?

👉 A famous Indian filmmaker and writer.

2. What is cinema?

👉 A medium of visual storytelling through films.

3. What is realism?

👉 Showing life as it actually is.

4. What is melodrama?

👉 Over-exaggerated emotions in films.

5. What is a script?

👉 The written story and dialogues of a film.

6. What is commercial cinema?

👉 Films made mainly for earning money.

7. What is artistic cinema?

👉 Films made for quality, realism, and meaning.

Question-Answer (Very Short & Short)

Q1. What is wrong with Indian films?

Ans: They are unrealistic and exaggerated.

Q2. Why are songs criticized by the writer?

Ans: Because they are often unnecessary and forced.

Q3. What kind of characters do Indian films show?

Ans: Perfect heroes and completely evil villains.

Q4. What does the writer want filmmakers to focus on?

Ans: Real-life issues and strong scripts.

Q5. What lesson should Indian cinema learn from foreign films?

Ans: Realism and meaningful storytelling.

Q6. What role should cinema play in society?

Ans: It should educate, inspire, and entertain people.

Below are 50 Important Objective Questions (MCQs) from

Class 10 English – “What Is Wrong with Indian Films?”

(Exam-oriented | Bihar Board / Panorama Part-2)

50 Objective Important Questions (MCQs)

1. Who is the author of “What Is Wrong with Indian Films?”

A. Jawaharlal Nehru

B. Satyajit Ray

C. Rabindranath Tagore

D. R.K. Narayan

✅ Ans: B

2. Satyajit Ray was mainly a —

A. Poet

B. Actor

C. Filmmaker

D. Singer

✅ Ans: C

3. What is the main criticism of Indian films?

A. Too short

B. Unrealistic

C. Too serious

D. Silent

✅ Ans: B

4. Indian films mostly aim at —

A. Education

B. Social reform

C. Profit

D. Culture

✅ Ans: C

5. What is shown unrealistically in Indian films?

A. Nature

B. Emotions

C. Hero’s actions

D. Costumes

✅ Ans: C

6. Heroes in Indian films are shown as —

A. Weak

B. Ordinary

C. Perfect

D. Poor

✅ Ans: C

7. Villains are generally shown as —

A. Good

B. Human

C. Completely evil

D. Honest

✅ Ans: C

8. What interrupts the flow of the story?

A. Dialogues

B. Songs

C. Acting

D. Direction

✅ Ans: B

9. Songs in Indian films are often —

A. Meaningful

B. Necessary

C. Forced

D. Silent

✅ Ans: C

10. According to Ray, cinema should show —

A. Luxury

B. Fantasy

C. Reality

D. Violence

✅ Ans: C

11. What type of acting is criticized?

A. Natural

B. Silent

C. Exaggerated

D. Simple

✅ Ans: C

12. Indian films lack good —

A. Actors

B. Music

C. Scripts

D. Sets

✅ Ans: C

13. Characters in Indian films are —

A. Deep

B. Realistic

C. Shallow

D. Educated

✅ Ans: C

14. What kind of emotions are shown?

A. Balanced

B. Natural

C. Over-dramatic

D. Calm

✅ Ans: C

15. Which cinema does Ray admire?

A. Hollywood

B. Foreign cinema

C. Silent cinema

D. Cartoon films

✅ Ans: B

16. Foreign films focus on —

A. Glamour

B. Reality

C. Songs

D. Action

✅ Ans: B

17. Indian films repeat the same —

A. Actors

B. Stories

C. Formula

D. Songs

✅ Ans: C

18. What is melodrama?

A. Simple acting

B. Overacting

C. Silent acting

D. Comedy

✅ Ans: B

19. The essay talks about —

A. Politics

B. Literature

C. Cinema

D. History

✅ Ans: C

20. Indian filmmakers think mainly about —

A. Society

B. Art

C. Money

D. Education

✅ Ans: C

21. What should be reduced in films?

A. Reality

B. Songs

C. Direction

D. Acting

✅ Ans: B

22. Cinema is a powerful —

A. Toy

B. Medium

C. Weapon

D. Game

✅ Ans: B

23. What kind of stories should films show?

A. Mythical

B. Unreal

C. Real-life

D. Horror

✅ Ans: C

24. Indian films often ignore —

A. Music

B. Reality

C. Dance

D. Stars

✅ Ans: B

25. What does Ray suggest for improvement?

A. More action

B. Better scripts

C. More songs

D. Foreign actors

✅ Ans: B

26. Which quality is missing in Indian cinema?

A. Popularity

B. Profit

C. Artistic value

D. Glamour

✅ Ans: C

27. Ray believes cinema should —

A. Only entertain

B. Only earn

C. Educate and inspire

D. Waste time

✅ Ans: C

28. Indian films are mostly —

A. Realistic

B. Documentary

C. Commercial

D. Artistic

✅ Ans: C

29. What weakens Indian films most?

A. Camera

B. Lighting

C. Story

D. Makeup

✅ Ans: C

30. Heroes survive serious injuries because of —

A. Doctors

B. Luck

C. Unrealism

D. Medicine

✅ Ans: C

31. Films should reflect —

A. Dreams

B. Fantasy

C. Life

D. Magic

✅ Ans: C

32. The essay is —

A. A poem

B. A story

C. An article

D. An essay

✅ Ans: D

33. Who is the target audience of films?

A. Only rich

B. Only poor

C. General public

D. Children

✅ Ans: C

34. What does Ray dislike most?

A. Realism

B. Truth

C. False glamour

D. Art

✅ Ans: C

35. Indian films show life —

A. As it is

B. Truthfully

C. Artificially

D. Naturally

✅ Ans: C

36. Foreign films are known for —

A. Songs

B. Dance

C. Real acting

D. Comedy

✅ Ans: C

37. Indian cinema needs —

A. Reform

B. Ban

C. Silence

D. Animation

✅ Ans: A

38. Which element should support the story?

A. Songs

B. Dance

C. Action

D. Script

✅ Ans: D

39. According to Ray, cinema affects —

A. Only actors

B. Society

C. Government

D. Nature

✅ Ans: B

40. Indian films focus more on —

A. Meaning

B. Message

C. Entertainment

D. Education

✅ Ans: C

41. Ray wants films to be —

A. Funny

B. Realistic

C. Long

D. Colorful

✅ Ans: B

42. Which is NOT criticized?

A. Songs

B. Scripts

C. Realism

D. Acting

✅ Ans: C

43. Indian films often ignore social —

A. Festivals

B. Issues

C. Events

D. Customs

✅ Ans: B

44. Films should balance art and —

A. Dance

B. Profit

C. Reality

D. Music

✅ Ans: B

45. Ray supports —

A. Commercial cinema

B. Meaningful cinema

C. Fantasy cinema

D. Violent cinema

✅ Ans: B

46. The tone of the essay is —

A. Humorous

B. Critical

C. Romantic

D. Sad

✅ Ans: B

47. Indian films show emotions in a —

A. Controlled way

B. Natural way

C. Exaggerated way

D. Silent way

✅ Ans: C

48. Cinema should help in —

A. Time pass

B. Business

C. Social improvement

D. Fashion

✅ Ans: C

49. According to Ray, good films need good —

A. Actors

B. Songs

C. Stories

D. Costumes

✅ Ans: C

50. The central idea of the essay is —

A. History of films

B. Problems of Indian cinema

C. Biography of Ray

D. Foreign films

✅ Ans: B

Outro – What Is Wrong with Indian Films?

In conclusion, “What Is Wrong with Indian Films?” is a powerful and thought-provoking essay in which Satyajit Ray honestly highlights the weaknesses of Indian cinema. He makes us realize that films are not only a source of entertainment but also a strong medium to influence society. When cinema moves away from reality and relies too much on exaggeration, unnecessary songs, and commercial success, it loses its true purpose.

The writer clearly shows that unrealistic heroes, shallow characters, and weak stories reduce the quality of films. Such films may attract crowds for a short time, but they fail to leave a lasting impact on the minds of viewers. Ray strongly believes that cinema should reflect real life, real problems, and real emotions so that people can connect with it deeply.

This essay also teaches us that Indian cinema has great potential. With meaningful scripts, natural acting, and responsible direction, films can both entertain and educate. By learning from good foreign cinema while preserving Indian culture and values, Indian filmmakers can create films that are artistic, realistic, and socially useful.

Thus, Satyajit Ray’s message is clear and relevant even today: cinema should not merely amuse the audience but also awaken their minds and hearts. If Indian films follow this path, they can truly become a mirror of society and a force for positive change.